{"id":737,"date":"2021-10-14T13:27:04","date_gmt":"2021-10-14T16:27:04","guid":{"rendered":"https:\/\/burlantins.com.br\/solonegro\/2021outubro\/?page_id=737"},"modified":"2021-10-19T12:24:07","modified_gmt":"2021-10-19T15:24:07","slug":"programacao","status":"publish","type":"page","link":"https:\/\/burlantins.com.br\/solonegro\/2021outubro\/programacao\/","title":{"rendered":"Programa\u00e7\u00e3o"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

minist\u00e9rio do turismo
apresenta<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

5<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t

edi\u00e7\u00e3o<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t

A<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t14 a 17\/10
\nquinta a domingo
\nsempre \u00e0s 20H\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t

programa\u00e7\u00e3o<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t

14.10 . quinta-feira . 20h<\/span>
E EU N\u00c3O SOU UMA MULHER?<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

Com Juliene Lellis<\/span><\/p>\n

TEATRO | 7 min. classifica\u00e7\u00e3o indicativa: livre<\/span><\/p>\n

<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t

Zabeinha se v\u00ea frente ao seu pior pesadelo: a invisibilidade. Em um mergulho em seu eu interior, revisitando cada segundo de sua exist\u00eancia, ela busca em sua mem\u00f3ria o momento exato em que se fez impercept\u00edvel. Analisa milimetricamente cada um desses momentos e descobre com a ajuda do p\u00fablico onde deixou de ser. Livremente inspirado no discurso de Soujouner Truth.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t

FICHA T\u00c9CNICA<\/b>
Dire\u00e7\u00e3o: Rikele Aparecida<\/span>
Atua\u00e7\u00e3o: Juliene Lellis<\/span>
Foto: Adrilene Muradas<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t

INGREJA DOS LOUVORES E AGUDOS POTENTES<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\tCom Coletiva Daninha de Teatro e Outras Diabruras<\/span>
\n\nTEATRO CONTEMPOR\u00c2NEO | 10 min. classifica\u00e7\u00e3o indicativa: 12 anos\n<\/span>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

Irm\u00e3os, irm\u00e3s… Foram muitos anos batendo joelho aos domingos, fazendo jejum, ora\u00e7\u00e3o, vig\u00edlia, promessa, prociss\u00e3o. E hoje, nesses dias e noites trai\u00e7oeiros, convidamos voc\u00eas, nossos irm\u00e3os em Beyonc\u00e9, para esse reencontro na gra\u00e7a, para memorar o nosso tempo de beatas e para celebrar a vida, pedir pelo nosso corpo e alma, duvidar de tudo e orar por esperan\u00e7a, justi\u00e7a e vingan\u00e7a.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t

FICHA T\u00c9CNICA<\/b>
Dramaturgia e concep\u00e7\u00e3o: Michele Bernardino e Rikelle Ribeiro<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t

15.10 . sexta-feira . 20h<\/span>
O PATRIOTA<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\tCom Vin\u00edcio Queiroz<\/span>
\n\nCIRCO-TEATRO | 45 min. classifica\u00e7\u00e3o indicativa: livre\n<\/span>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

O patriota \u00e9 um n\u00famero de palha\u00e7o tragic\u00f4mico que utiliza a linguagem do circo teatro para abordar alguns feitos do atual contexto pol\u00edtico. Tem como eixo central o resgate do humor tradicional do circo atrav\u00e9s das <\/span>gagues<\/span><\/i> de palha\u00e7os, que buscam entreter e trazer reflex\u00f5es. Com uma dramaturgia simples, divertida e delicada, aborda temas atuais como disputa eleitoral, libera\u00e7\u00e3o das armas de fogo e a morte da popula\u00e7\u00e3o negra nas periferias.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\tFICHA T\u00c9CNICA<\/b>
Concep\u00e7\u00e3o e atua\u00e7\u00e3o: Vinicio Queiroz<\/span>
\n<\/span>Cen\u00e1rio: C\u00edcero Miranda <\/span>
\n<\/span>Produ\u00e7\u00e3o: Arthur Souza<\/span>\n<\/span>
T\u00e9cnico de luz: Thiago Ara\u00fajo <\/span>\n<\/span>
T\u00e9cnico de som: Thiago Dornelas Moreira<\/span>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t

16.10 . s\u00e1bado . 20h<\/span>
DI\u00c1LOGOS FEMININOS E IDENTIDADES<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\tCom J\u00fania Bertolino <\/span>\n\nDAN\u00c7A | 40 min. classifica\u00e7\u00e3o indicativa: livre\n\n<\/span>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

J\u00fania Bertolino da Cia Baob\u00e1 Minas vem com este solo negro refletir e apresentar as corporeidades ind\u00edgena, afrobrasileira e africana da mulher brasileira, ressaltando em sua performance canto, poema, ritmo e dan\u00e7a, criando di\u00e1logos femininos e ancestrais. Atrav\u00e9s do audiovisual reverencia\u00a0 mulheres como Marlene Silva, Angela Davis, L\u00e9lia Gonzalez, Dandara,\u00a0 Nzinga Band, Nina Simone, Concei\u00e7\u00e3o Evaristo, X\u00eania Fran\u00e7a, Carolina Maria de Jesus e Mariele Franco. A partir da composi\u00e7\u00e3o da obra, a artista Junia Bertolino (Cia. Baob\u00e1) deseja dar voz \u00e0s viv\u00eancias, aos desafios e \u00e0s vit\u00f3rias que permeiam o universo feminino.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t

FICHA T\u00c9CNICA<\/b><\/p>

Argumento: J\u00fania Bertolino<\/span><\/p>

Dire\u00e7\u00e3o: Lira Ribas<\/span><\/p>

Assistente de dire\u00e7\u00e3o: Jahi Amani Bertolino<\/span><\/p>

Canto, poema e dan\u00e7a: J\u00fania Bertolino<\/span><\/p>

Ilumina\u00e7\u00e3o: Geraldo Otaviano<\/span><\/p>

Proje\u00e7\u00e3o: Jos\u00e9lio Teixeira e Jahi Amani<\/span><\/p>

M\u00fasicos: Jocasta Roque e Marquinho Ligeirinho<\/span><\/p>

Figurino: J\u00fania Bertolino<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t

17.10 . domingo . 20h<\/span>
FRAGMENTOS DE AMOR NO PANTE\u00c3O AFRICANODADES<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\tCom Eneida Bara\u00fana\n<\/span>\n\nCONTA\u00c7\u00c3O DE HIST\u00d3RIAS | 40 min. classifica\u00e7\u00e3o indicativa:: 12 anos\n<\/span>\n\n \t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

Reunindo hist\u00f3rias da mitologia africana, o espet\u00e1culo apresenta contos de amor, paix\u00e3o, encantamentos e disputas entre os Orix\u00e1s. As mais diversas formas que permeiam o amor s\u00e3o apresentadas nesta livre adapta\u00e7\u00e3o dos mitos. Brasil e \u00c1frica se entrela\u00e7am entre os mitos de matriz africana dialogando com outras tradi\u00e7\u00f5es orais, como a m\u00fasica. Hist\u00f3ria e M\u00fasica – um entrelace rico de cultura popular Brasileira.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\tFICHA T\u00c9CNICA<\/b>
Concep\u00e7\u00e3o e idealiza\u00e7\u00e3o: Eneida Bara\u00fana <\/span>\n<\/span>
Luz: Tain\u00e1 Rosa <\/span>\n<\/span>
Hist\u00f3rias coletadas em: Livro Mitologia dos Orix\u00e1s, de Reginaldo Prandi<\/span>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tFacebook<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tInstagram<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tYoutube<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tEnvelope<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

burlantins@gmail.com<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

minist\u00e9rio do turismoapresenta 5 edi\u00e7\u00e3o A 14 a 17\/10 quinta a domingo sempre \u00e0s 20H programa\u00e7\u00e3o 14.10 . quinta-feira . 20hE EU N\u00c3O SOU UMA MULHER? Com Juliene Lellis TEATRO | 7 min. classifica\u00e7\u00e3o indicativa: livre Zabeinha se v\u00ea frente ao seu pior pesadelo: a invisibilidade. Em um mergulho em seu eu interior, revisitando cada […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-737","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/burlantins.com.br\/solonegro\/2021outubro\/wp-json\/wp\/v2\/pages\/737","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/burlantins.com.br\/solonegro\/2021outubro\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/burlantins.com.br\/solonegro\/2021outubro\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/burlantins.com.br\/solonegro\/2021outubro\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/burlantins.com.br\/solonegro\/2021outubro\/wp-json\/wp\/v2\/comments?post=737"}],"version-history":[{"count":40,"href":"https:\/\/burlantins.com.br\/solonegro\/2021outubro\/wp-json\/wp\/v2\/pages\/737\/revisions"}],"predecessor-version":[{"id":1013,"href":"https:\/\/burlantins.com.br\/solonegro\/2021outubro\/wp-json\/wp\/v2\/pages\/737\/revisions\/1013"}],"wp:attachment":[{"href":"https:\/\/burlantins.com.br\/solonegro\/2021outubro\/wp-json\/wp\/v2\/media?parent=737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}